Laffik's MP3 releases

Laugh Feek (2024)

140BPM Breaks and Bass

Drastic quadrilogy for 2024 dedicated to all the victims of neural surgery.
I don't like you anyway.
Album built on Zero-G Total Drums samplepack, Stagg bongo, acoustic drumset and synthesizers from Tone2 and Native Instruments: Gladiator, Electra, Reaktor 5 and Electronic Instruments ensemble pack vol. 1 and 2.
140 BPM beats, bass lines and ambient soundscapes from Zero-G and Ghosthack samplepacks and some vinyl phrases cuts from various old vinyls.
Structure of permutations of club's 16.
YouTube publishing only - MP3 distributors are still having weird policies against mixed albums and multiple nicknames of the same author or collabs. Soon, again, they will start to moan about 3:40 and vocals.
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La Feeque (2023)


Laffik's third and the last quadrilogy published this year. Easy-wheasy is the set of famous motifs reworked and transcribed in FLStudio with bunch of new synthesizers from Tone2, old and gold set of Native Instruments: Absynth, Reaktor, FM8 and Massive. With Camel Audio Alchemy Player and AAS Chromaphone and Virtual String 2. Modartt, Quik Quak, Melda, iZotope, Waves, Smartelectronix, Voxengo, Itchy Synths and Keolab Spicy Guitar. Laffik records snare drums, crash, hat, bongo and shakers in mittel/seite mic setup. Tracks are arranged with chords, bass and cepstral equalization, expansion, saturation and smoothing.
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Laffik alias DJ Septigenix (2023)

Break Suktive System

Laffik's second quadrilogy published this year. Drum and bass collection. Beats mixed with spooky ambients. Acoustic drums and samplepacks with basses made of layered effects. Each track is complex of projects, making modular structure. FLStudio, tons of VST instruments and effects with highest consumption of resources. Permutation of intro-main-sides-reprise. 169BPM, low-pitched subbas and cepstrum for sonic comfort.
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Hardcore Funk (2023)

Great quadrilogy of lyrical, instrumental motifs played on Behringer's equipment: RD-9, RD-8, RD-6, TD-3-MO-AM and VST instruments and effects. Special featuring of Tone2 synthesizers: Electra, Gladiator, Icarus, Rayblaster, FireBird, Nemesis, FilterBank and Tone2 effects: BiFilter and Warmverb. Set of instruments includes also top achievment of progressive section of synthesizer branch of industry: Glass Viper, with unique type of synthesis, that could be named as vector animated wavetable. Ex equo with Rayblaster performing formant controlled impulse modelling synthesis. The synthesizers maintain progress of industry that goes along each decade since 70's: additive, subtractive, FM, Wavetable and physical modelling. Synths continue gaps in serie missing in past two decades. Also, after Native Instruments' Reaktor and Massive, Nemesis is next retake on FM synthesis performed properly after the original FM. Album transcripts various melodies, famous and not so famous, that are adapted in hardtrance style.
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Laffik - HEMANIFEZT (2022)

Beats made by Laffik with rhymes by HEMANIFEZT.
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To Die of the Bass (2022)

Drum and bass made in FLStudio with Jungle Warfare CD, TD-3-TG and TD-3-MO-AM.
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Unrecognized Hardcore - Final Impact (2022)

ReBirth RB-338 Reminiscences

Album made entirely on Behringer machines: RD-9, RD-8 and pair of TD-3. Style imitates historical and cult software: ReBirth RB-338. Machines recorded and arranged in FLStudio.
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DJ Signal presents Graletive Sessions (2022)

Drum and Bass album made in FLStudio using modular workflow, smooth drums and crossover distortion bass.
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Signal (2021)

Album made in cooperation with artists: Donnie Ozone, HEMANIFEZT and Yinte Beats. Because of them usual drum and bass beats are enriched by excellent rhymes. Whole production makes impressive imprint.
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Dubstep Adventure (2021)

This album is Laffik's entry in the zone of dubstep style. Heavy basslines made of crossover distortion, smoothed beats, tuned ragga vocals and modular workflow. This all mixed at 140BPM.
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DNB Adventure vol. 4 (2021)

Fourth part of drum and bass series. Modular workflow. Tracks are made of audio clips, which are made of separate projects. Each project is full of synthesizers and effects. Each track, containing dozen of rendered clips, is far richer in sounds and effects, than track composed in usual way. Workflow imitating Fruity Tracks, Music Maker or eJay. 169BPM and structures being variations of permutations of usual drum and bass track structure. Excessive use of NI Reaktor and crossover distortion bass.
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DNB Adventure vol. 3 (2021)

Third part of drum and bass series. Tracks made of samples from samplepacks and crossover distortion bass.
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Surplus Dimension vol. 4 (2021)

Fourth part of the cycle. The conclusions.
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Surplus Dimension vol. 3 (2020)

Third part of cycle. The digressions.
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Surplus Dimension vol. 2 (2018)

Continuation of Surplus Dimension. This album contain main parts of cycle.
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Surplus Dimension (2017)

Album about higher dimensions and it's influence on daily day to day life. Titles relate to unique situations observed in UK. Album contain beats smoothed spectrally with subbas and accoustic drums beefed up with VST instruments and effects. Permutations of structure of intro-main-break-power.
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Protected (2015)

Protected is album created while considering subjects around protection and danger of lack protection. Tracks fall into three categories: melodical hits, ambient soundscapes and beats. Harmonized melodies, spectrally smooth beats and subbas.
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Richmond Delight (2015)

This maxisingle is a tune whistled off spontainously and recorded one sunny day in June. Album contain 12 editions of a melody played on virual trumpet. Very positive mood and vibe.
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Rob Underground Rattler (2015)

Rob Underground Rattler is three part extended single with drum and bass tracks equalized in cepstral spikes. Tracks are good example of smoothness of spectrum. 172BPM tracks finetuned to 49Hz, spooky ambient scapes and accoustic, recorded percussive sounds.
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Four Corners Of The Earth (2014)

As album cover suggests album is flower of human factor of jazz melodies framed into massive frames of technics of arangement, instrumentalization and mastering. Album contains 16 instrumental tracks. Four having pop-hit composition, four having beat-like composition and another eight that have composition of contemporary classical pieces. Album is performed on VST synthesizers, physical emulators and romplers with acoustic samples. Structure of album oscilates and contain lively hits and beats separated with calm and moody classical tracks performed on VST instruments. Four of classical tracks have evolving structure, moving listener from calmness to vividness by build-up of melody. Symbolic clue of the album are different places on earth separating people from each other and from their homes and travels they make. Album also contain influences of seasons of the year and reasons for leaving home looking for job, going for army conscription or sailing to the poles of the earth.
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Key To My Realm (2013)

Electroacoustic album created in digital domain using acoustic and electronic sounds combined together in convolver, similar to the one that Laffik programmed in 1997. 14 instrumental tracks with melodies and chord progressions switching the role of leading and accompanying. Deep subbas basslines. Sounds filtered of first partial and equalized drums. Sounds generated in convolver truly simulating acoustic musical instruments like violin, horn and brass using physical acoustic method of separate sampling of resonator and exciter.
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Numeric Nature (2012)

Contemporary classical album composed on wide range of electronic instruments. Sampled synthesizers, keyboards, VST emulations and physical emulations of acoustic instruments.
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d(-_-)b A D V E N T U R E I I (2011)

Continuation of d'n'b Adventure album recorded in 2005. Drum and Bass rhythms, equalized basslines, equalized, layered and dynamically expanded drums finetuned to 49Hz, tempo set to 176BPM, club-oriented structure and modern sound design.
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Digital Simulations (2010)

Album composed of sounds of virtual plugins digitally simulating acoustic instruments. Shuffled rhythms, equalized drums, modern sound design. All composition performed in tempo 120BPM and finetuned to 49Hz.
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Weird Things (2007)

Yass style tracks performed live in Native Instruments Absynth. Variety of sounds and improvisation techniques. Large set of short compositions.
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Finetuned Pitch Numbers (2006)

Layered, dynamically expanded and finetuned drums. Some of all recursive structures and sequences built on Amiga 1200 and Digi-Booster Pro. Deep subbas. Deep drum hits. Succesing tracks have deeper and deeper finetuning along the album and tempo is slowing down making relaxing sequence of tracks.
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Fractas (2006)

Recursive structures. Fractal algorythm used for creating notes of these compositions. Free rhythm and melodic sounds. Dynamic sequencing acting dramatically with tempo and volume.
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Angel (2006)

Progressive, melodical album performed on VST instruments. Oldskool breakbeat and dance as well as beatless tracks. 63 minutes long trip from heaven to earth and back.
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Rock Classical Middle Ages (2006)

Fusion of dance, classical and rock music with jazz leads performed on virtual plugins and physical emulation of acoustic instruments. One hour long travel to middle ages and back.
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DNB Adventure (2005)

Drum and bass tracks made using modular workflow. Tracks made of audio clips prepared in FLStudio and Renoise mixed together.
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